Artist Statement: Ceramic Installations
Urbanism, particularly how the contemporary condition of interconnectivity, the agency of the individual and the theory of emergence effect the built environment is the focus of my work. To address these concepts, I create research-based installations to highlight the importance of place and the living history of the site. These installations are comprised of an architectural vocabulary of press molded ceramic multiples and common building materials with a rough-hewn aesthetic. Historical relevance is placed on the use of ceramics as a building block of cities in its brick and tile form. The aesthetic choice is made to reference our aged infrastructure. My construction process is labor intensive and repetitive, echoing the mass production of buildings and the temporary construction sites that leave our cities in a constant state of flux. I investigate issues that arise in cities such as: urban development, eminent domain, access to private property, red lining, sprawl and subdivision of land. I also address suggested solutions achieved through responsible master plans. By loosely defining the outcome for an installation, I allow an emergent aspect to develop. Depending on the work, the viewer is invited to help install on site, enter a construction site, deconstruct or reorganize an installation with intent to encourage a sense of agency that is sometimes missing in the built environment. My work promotes ground up solutions to urban planning rather than top down decisions by requesting the viewer's participation and granting access to the work.
Gail Heidel received a M.F.A. from the University of Minnesota, Twin Cities in May 2008, completed a post-baccalaureate program in Ceramics at the University of Massachusetts Dartmouth in 2004, and earned a B.F.A. from the University of Connecticut, Storrs in 1995. Heidel holds multiple current positions as Adjunct Assistant Professor of Art at Hunter College; Gallery and Public Programs Manager at Pelham Art Center (PAC), Pelham, NY; and Director of Programs and Promotion at The Way Station (a music and event venue), Brooklyn, NY. She lives in Brooklyn, NY.
Upcoming exhibitions include two public art knitting projects in 2015. The first will be sited on Eastern Parkway, Brooklyn, NY in July and the other is a group project titled Knit Knit Bomb Bomb, Sculpture in the Courtyard, Pelham Art Center, Pelham NY.
Recent exhibitions include a group exhibition titled Away Game, Klapper Gallery, Queens College (2015), a solo community brick extraction project titled Brick Extraction, Clay Art Center, Port Chester, NY (2014), the group exhibition Longing for Repetition, Carbondale Clay Center, Carbondale, CO (2013), the solo exhibition Takings at Clay Art Center, Port Chester, NY (2012); a site project titled Change of Use, Watershed Center for the Ceramic Arts, Newcastle, ME (2012); the two-person exhibition Bridged at the Lachaise Gallery, Cedar Crest College, Allentown, PA (2011) and the group exhibition Extraction at Space Gallery, Pittsburgh, PA (2011).
Heidel has been written about in The New York Times, Time Out New York, Ceramic Art and Perception, Ceramics Monthly, Ceramics Ireland, Pittsburgh City Papers and the Pittsburgh Tribune.